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Muky diecast made in Argentina for sale, contact Bob Frassinetti |
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Muky of
Argentina is one other mystery within the history of toys made in our country. For collectors these are the Argentinean Hotwheels
for the similarity with the American models. And ever since they first got hold of one of Muky’s models there’s
been a constant doubt about the origin and production of these miniature wonders. Some say the castings were stole form the
Mattel plant many years ago, and then brought to our southern country to begin production of a similar item under an other
brand name. Some others, the most uncontroversial ones prefer to believe that the similarity is the result of some god knows
what coincidences. However most of us, without choosing either solution want to know the truth for sure, whether they were
stolen, sold or copied, how and where did it happen, and most of all why. In order
to solve that mystery, the Buenos Aires Toy museum, who has been working on the reconstruction of the Argentinean toy industry’s
history for many years now, began to work on a deep and complicated research process. The first and foremost difficulty we
had to face in advance was the lack of public or private information about this matter. Due to a contium of political and
economical critical situations the registration of most industrial activities of the 60s, 70s and 80s are not much. Confronted
to the lack of records and in need of answers we began to trace down information lines we collected from fellow collector,
who remembered to have heard someone saying something about Muky. Our hard
work paid off, and we were able to contact Muky’s owners with which we had the honor of interviewing. As a result
of the interview we have some new and fresh information in order to begin to solve a part of this mystery. As most
of collectors might have noticed not all Mukys are the same. Some of them are fully made out of zamac –the metal material-,
some others have the lower part in plastic. This difference is mainly the result of a change not only in the technique but
in the owners. That is the difference you find in the lower part, with the full metal items showing a sign that reads “Super
veloz” –super fast- and the ones with metal and plastic –which actually run faster, Induguay-. This corresponds to two different owners of the Muky company. Among
the many other differences within the models is the box and blister packages alternatives, the full blue and white package
is from the second Era in the production of Muky, while the more eclectic and colorful packages belong to the first Era. But our
goal was fixed in the main mystery we were looking to solve: the castings origin. When asking Muky’s most recent owner
about the castings, he replied that the newest ones –the latest numbers in the series- were made by them in Argentina
with local craftsmen, who were inspired in many of the cars they saw every day on the streets. He added that many of the first
models were bought together with the company already producing them. He thought the previous owners had bought them in the
States and brought them to Argentina to work with. But he had no further information on the matter. The latest
input in this matter is the result of the hard and complicated work carried on by the museum’s research team on Argentinean
toys. Yes, the castings were bought in the States; no, they weren’t stolen from Mattel, nor they were bought from that
company. Our latest information on the matter is that back in the early 50s Mattel wasn’t producing within their plant
all their castings, but they bought them from third parties. It had been this casting craftsman the one who sold those Hotwheel
alike castings to Muky. They were brought to our country and set off to production. The
similarity is crystal clear, the differences appear in quality and finishing touches, as well as in the way those cars run.
Therefore,
Muky of Argentina, aka the Argentinean Hotwheels share the same original castings with the Mattel diecasts, but not only where
they not stolen, but they were legitimately bought and put into production. One highlight
about the Muky models is an outstanding difference with most of the 70s Argentinean diecasts, for they had produced an interesting
number of concept diecast cars. A line of visionary models which were to come in the international market and that would be
a design breakthrough within the industry that was anticipated in the world of toys. And one of those avant-garde companies
was Muky. A highly treasured item very appreciated in the world of collectibles. For
this information is so precious to us all collectors, the Buenos Aires Toy museum is futhering on this research projects into
an upcoming catalog like book, with all the latest information on the subject together with a detailed list of all Muky models
available throughout its history.
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Click here for orders or questions:
Argentinean, Bob Frassinetti. Art and Antique Dealer who has been collecting art, antiques and collectibles ........
my long awaited Project: the first virtual toy museum in Argentina. I have made this dream come true for a long time now and
today it is a reality that I want to share with you. Come, log in and check it. You will find all I could do in my life as a collector: historic data, toys impossible to get, pictures; all you look
for about national toys is at the Buenos Aires Toy Museum, www.the-ba-toymuseum.com If
you have any questions, if you want information about a particular object or if you simply intend to talk about toys with
somebody, get in touch with me and my journalistic team or I will answer you immediately. It would be very useful for us that before
leaving our Website, you make some written comment about the good and bad things you saw here, it will help us enlarge this
site and improve the quality of our incipient museum. I hope that you enjoy knowing my museum
as much as I did in making it. Thanks a lot for your visit, I expect it to be only one more visit among others. Roberto Dario Frassinetti. The Buenos Aires
Toy Museum. Argentina. ARGENTINE COLLECTING. SUPPORTING THE NATIONAL CULTURE. In Argentina, it is happening a fact that
is not common in the rest of the world, at least it is not in the richest cultural countries where we can find our own country
with its innumerable artistic activities and manifestations. Here, the best cultural exhibitions and
samples, related to the quality and quantity of works and objects, and even the most famous museums fall back on private funding.
Argentine collectors, assemble expositions and museums that quickly become national cultural events, as the Latin American
Art Museum of Buenos Aires shows, created by Constantini, where we find plastic works and sculptures by the most renowned
artists of the continent and prime exhibitions. On the other hand, the museum samples and
the cultural expositions organized by the State are carried out by means of temporary loans of individual collectors or foundations
from all over the world, so the public sector depends, in this case, on the private one. Thus, we see how the private contribution
in the country is fundamental help to keep the rich history and the cultural present time of Argentina, which is a reason
for national prestige in any part of the planet. The
lack of state policies in this area and the country almost non-existent budget make it impossible for the Culture Department
and the institutions depending on it to be able to purchase works and outstanding objects, that is why they are obliged to
ask for constant private contribution or directly the donation by artists with the aim of making an interesting collection
of samples. This way we see that mainly in the last
40 years, from the beginning of the Di Tella Institute, private collectors are
the ones who lead the cultural activities in the country, in some cases by organizing events, samples, expositions and even
museums through which our patrimony is made known and kept, and in other cases by lending their collections for public samples. Toys, cultural expressions of a particular
time, are no exception. Today, the presence of the State is absolutely null and thus all activity falls back on the individual
collector or private foundations that generally organize samples that help keep our history alive. The Buenos Aires Toy Museum is another
manifestation of this national reality and invites whoever is interested in participating in it with objects or information
to improve the quality of our permanent sample. MAKING A TOY MUSEUM, A TASK OF EVERYONE. The end of covertibility in Argentina brought
about an important possibility of inversions at low cost for those people that want to invest money in the country. This is
happening in a particular way in the building branch and in the reconditioning of old structures, where the figures can even
be more profitable for those who intend to build in Buenos Aires, taking into account that the growing tourism needs new places
not only for recreation but also for accommodation. The increasing cultural activity in the
city of Buenos Aires, which is getting the level of the unforgettable 60's again, results in the opening of new cultural centers,
thematic bars and other places related to art and culture in general month after month. The new Latin American Art Museum
of La Recoleta is a clear example of the benefits that the opening of such spaces
can offer, from the cultural and economic viewpoint. The important thing is to know what Buenos Aires needs today, what its
people and tourism demand at the moment of entertaining and enjoying.
What the city really lacks is a Toy Museum. A museum that succeeds in keeping this part of the cultural and historic
patrimony of the country and serving as a permanent exhibition place for children
and adults as well, a space where children can see the old toys their parents enjoyed playing with, when neither computers
nor Internet existed; and adults can nostalgically remember the pleasure instrument
that they liked so much when they were children themselves. On the other hand, it will be soon transformed
into an ideal place for the wide range of collectors that are arriving at the country in search of low price pieces. These specific facts convert the museum
not only into a possible project but an urgent necessity, besides being a great commercial possibility, both, because of the
building of real property at low prices in Buenos Aires, where today every square meter that is built does not exceed 570
pesos and because it assures an everyday visit by a big quantity of people since it would be a wonderful novelty in the city,
it would not have any competition, and it is a wanted place not only by Argentine young people and adults but also by collectors. Moreover, the possibility of equipping
a thematic bar in its interior and the renting of rooms for other exhibitions would not do more but to revalue the project's
idea. Today, Buenos Aires offers , among other
things, this huge opportunity, where both the investor and the city itself would greatly benefit. REAL ESTATE During the decade of Carlos Saśl Menem's
presidency (1989-1999) and until the economic crisis at the end of the year 2001, Buenos Aires was one of the most expensive
cities in the world, the currency equality one peso = one dollar known as "convertibility" made real estate price rise ostensibly
equalizing them with the North American currency. For this reason, purchasing properties in Argentina -departments, lands,
houses, etc- was an expensive investment comparable
with the purchase of real property in the most developed cities in the world. Today, due to the devaluation, real property
prices suffered, only during the year 2002, an average drop of 52% of the value
they had before this economic catastrophe. This fall was produced in every kind of property, without taking care of the place
nor the type. Nowadays, real estate in the most elegant
and exclusive zones of the city of Buenos Aires are recovering part of its old value. Only during the first two months of
this year, in some neighborhoods of Belgrano, Palermo, Puerto Madero, Recoleta and Caballito Norte a rising of a 15% was observed
in the real estate cost, this makes an excellent opportunity mainly for foreigners or for those who wish to acquire properties
in the country which have a low inversion cost because of devaluation and they could buy in a moment when prices, although
they are rising, they are not so high, therefore in a short time the value of them will be greater. This fact was already considered by a wide
range of tourists who have bought properties in such zones during the last months, many of them used the figure of the real
estate trust, already known in the developed countries but it is totally new in Argentina. This sort of trust serves the purpose
of attracting a fund of investors where all the ones that belong to him have important advantages, apart from the one mentioned
above caused by the currency exchange. On the one hand the cost of maintenance that is added to the properties is in pesos,
what represents a very small percentage of the total investment, and on the other hand a legal figure that acts as a protector
of the investor personal patrimony and defends him from any possible politic-economic
risk that can happen in the country. At present, Argentina is again a good place
to invest, at least regarding real estate matters. The Buenos Aires Toy Museum can recommend
you places where a real estate investment can result more profitable and contact people on your behalf. Bob Frassinetti.
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Bob Frassinetti, art dealer and journalist.
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